New
York Times
February 27, 2005
By HUGH
HART
WHAT do a
blind man, a math professor and a psychic have in common?
They are
all consultants to new prime-time series, responsible for
injecting
seemingly outlandish plots with the kind of details no
Hollywood
writer could dream of.
A string
of bank robberies in "Numbers" (Fridays at 10 p.m. on CBS)
leads to
an arcane reference to the Heisenberg uncertainty principle.
Those
visions of dead crime victims that crop up in "Medium" (Mondays
at 10 on
NBC) are, believe it or not, based on experiences described
by the
show's real-life psychic. And in "Blind Justice," a new ABC
series
that has its premiere at
10 p.m. on
March 8, attentive viewers will learn about "touch and go"
navigation.
Lynn
Manning, a playwright, actor, Paralympic silver medalist and
former
blind judo champion of the world, serves as the technical
adviser
for "Blind Justice." Mr. Manning, who appeared off Broadway
last
January in "Weights," an autobiographical one-man show, lost his
sight when
he was 23. "Someone picked a
fight with me in a bar in
Hollywood,"
Mr. Manning recalled. "I reluctantly overpowered the guy
and threw
him out. He came back a half-hour later with a gun and shot
me through
the eyes. The bullet entered my left eye, went through my
sinuses and
severed the optic nerve behind my right eye, but didn't
cause any
brain damage. So that's where my story as a blind man
starts."
A violent
attack also begins the story arc for Detective Jim Dunbar
(Ron
Eldard), who, in "Blind Justice," returns to the job with his
Seeing Eye
dog after being blinded in a shootout.
"I
don't know anything about being blind," said Steven Bochco,
co-executive
producer of the series, "so the kind of specific
knowledge
that Lynn Manning can bring anecdotally, you just couldn't
figure out
yourself."
Mr.
Manning reviews e-mailed scripts using a software program that
translates
text into synthesized speech. "I send the producers my
notes
about what's not realistic or a little over the top," he said.
"I
try to give them that sense of authenticity that a sighted
person
might not know about."
Offering
observations culled from his own experience, Mr. Manning
said, he
has helped the writers understand how, exactly, a blind man
uses a
restroom and what it's like to translate sound into mental
images.
"There are little touches I help out with, like when the
detective's
wife takes his face to give him a kiss, as opposed to
just lips
flying in from space. For a blind person, that can be very
disconcerting:
you don't just throw your lips out there at somebody
and expect
to hit the mark."
Unless, of
course you are psychic, like Allison DuBois, in which case
the
space-time continuum is a little warped anyway. Ms. DuBois is the
consultant
for "Medium," a series that mirrors her life as an
ESP-endowed
law student, the mother of three daughters whom she
believes
are similarly gifted and the wife of a rocket scientist. She
also
serves as role model for Patricia Arquette, who plays the
fictional
Allison.
"Patricia
hung out at my house and took notes the whole time to learn
about the
process," Ms. DuBois said. When Ms. Arquette asked for a
reading,
the actress got more than she bargained for: her father, who
died four
years ago, appeared to Ms. DuBois in a vision. "I brought
her dad
through - he had a clown nose on," Ms. DuBois said
matter-of-factly.
"I told Patricia, he keeps talking about this clown
nose. She
laughed and said her dad used to put a clown nose on to
cheer her
up. At his funeral, she ordered 150 clown noses, and
everyone
wore them. That was an obscure piece of information that
meant
nothing to me but meant everything to her."
Glenn
Gordon Caron, co-executive producer of the series, admits he
was
skeptical when Garry Hart, president of Paramount Network
Television
until last September, suggested Ms. DuBois as inspiration
for a show
about a woman who solves crimes by communicating with the
dead.
"Garry called me up and said, 'Do you believe any of this
stuff?' I
told him: 'I'm probably more a cynic than anything else.
But I know
a good story when I hear one.'"
After
meeting Ms. DuBois over lunch, Mr. Caron was intrigued. Using
her
autobiographical manuscript, "Don't Kiss Them Goodbye" (to be
published
next month by Simon & Schuster), he created the slightly
fictionalized
"Medium" premise. And Mr. Caron continues to pepper his
prescient
muse with follow-up questions.
"Glenn
will call me, and I'll be grocery shopping, and he'll say,
'What does
it look like when you look through the eyes of a killer?'"
Ms. DuBois
said, "So I have to pull my cart over and tell him what
that looks
like."
The
reality-check for Charlie Eppes, the "Numbers" protagonist played
by David
Krumholtz, comes mainly from Gary Lorden, chairman of the
math
department at the California Institute of Technology, and his
colleagues.
Cheryl Heuton and Nick Falacci, the husband-and-wife team
who are
co-creators and co-executive producers of the series, live
just down
the street from Caltech's Pasadena campus. "When we started
doing our
research, we decided, why not use reality instead of just
making it
up?" Ms. Heuton said. "And since we were going to use
reality,
we wanted to get it right by talking to mathematicians about
the
initial ideas and then adjusting them to make it more real."
Mr.
Krumholtz's character is a math genius who helps solve crimes
with his
F.B.I.-agent brother (Rob Morrow). As the series's official
math
consultant, Dr. Lorden takes pride
in the fact that every
equation
scribbled on screen is textbook perfect. "For one episode,"
he said,
"my colleague Dinakar Ramakrishnan, who's a leading expert
in number
theory, drew pages and pages of equations that he faxed to
the
writers, which they then put up on the board. If by chance
Caltech
mathematicians are watching the show and look at the board,
they'll
say, 'Oh yeah, that looks real.'"
Mathematicians
from across the country also contribute ideas. Ed
Witten, a
scholar at Princeton University's Institute for Advanced
Study,
pitched a story idea after he received a "Numbers" script from
his
brother Matt, a TV writer.
"Ed
sent our script back along with an episode idea, which we used,
telling us
we should do something about a rogue mathematician who
tries to
crack Internet security by solving the Riemann hypothesis,"
Ms. Heuton
recalled.
Dr. Lorden
scrutinizes the dialogue, he said, to make sure the
characters
in "Numbers" talk like real mathematicians. "You don't
call it
'Riemann's hypothesis' - it's 'the Riemann hypothesis.' One
of the
things you do as a technical adviser is to give it the ring of
the true
sound."