Rian Johnson on Glass Onion Ensemble Los Angeles Times 12.26.22
Tar director Todd Field on Cate Blanchett's Brilliance Los Angeles Times 12.21.22
Elvis Through the Ages Los Angeles Times 12.19.22
Pinocchio Behind the Scenes The Credits 12.15.22
Everything Everywhere Star Stephanie Hsu on Her Breakthrough Role Los Angeles Times 12.05.22
The Bear Break-Through Star on Cooking, Comedy and High-Stress Drama Los Angeles Times 11.22.22
Menu Movie Gets Boost From Production Designer Ethan Tobman and and 3-Star Michelin Chef Dominique Crenn The Credits 11.21.22
Cabinet of Curiosities Production Designer Tamara Deverell on Spooky Spaces The Credits 11.16.22
Causeway Composer Cues the Cellos for Jennifer Lawrence Drama The Credits 11.04.22
How House of the Dragon Costume Designer Made Elegant Clothes for Dastardly Characters The Credits 10.24.22
Reasonable Doubt DP on Earning His Stripes to Shoot TV Show The Credits 10.26.22
Super/Natural Doc Producer Focuses on Nature;s Freakish Beauty The Credits 09.27.22
Woman King Trainer on Turning Actress into Warriors The Credits 09.19.22
Lucid Dreamer Olivia Peace Snags Student Oscar Nomination with Against Reality USC Cinema News 09.08.22
Honk for Jesus Sister Filmmakers on Their Megachurch Scandal Comedy The Credits 09.06.22
Josh Greene Explores Nazi Surfers in his Student Academy Award-nominated short film USC Cinema News 08.31.22
Kay Zhang Shoots in Wuhan USC Cinema News 08.02.22
Hedy Lamarr Award Winner Danielle Explores Bees and Kelp USC Cinema News 08.28.22
Comedian Beth Lapides on her Audio Book Memoir Brown University Magazine 08.24.22 September/October 2022
Spotlight Executive Editor Shapes Platform for Student Film Scholars USC Cinema News 08.23.22
Insecure Star-Creator Issa Rae Los Angeles Times 08.16.22
George Carlin's American Dream Judd Apatow on co-directing Los Angeles Times 08.16.22
Kay Zhang Shoots in Wuhan USC Cinema News 08.02.22
Westworld Director Paul Cameron Makes Leap From Cinematography The Credits 07.26.22
Nope Cinematographer Hoyt van Hoytema Tackles IMAX The Credits 07.22.22
Game Makers Tackle "Blocks" Shoots in Wuhan USC Cinema News 07.21.22
Grayman Composer Henry Jackman on His 17-Minute Action Suite The Credits 07.21.22
Stranger Things Music Editor Lena Glikson on "Running Up That Hill" The Credits 07.06.22
How Filmmakers of Color Launched "L.A. Rebellion" UCLA Magazine 06.14.22
Black Phone Creators Scott Derrickson and C. Robert Cargill Talk Horror The Credits 06.24.22
Stranger Things Sound Team Give Voice to "Upside Down" Monsters The Credits 06.20.22
Father of the Bride Director Gaz Alazraki Reboots Classic Comedy with Cuban-American Spin The Credits 06.17.22
Zoe Chao Graduated from Art History to TV Hit Comedy Brown University magazine May/June 2022
Succession Composer Nicholas Brittell on Dramatic Music The Credits 06.15.22
How Jurassic World Dominion Co-Writer Emily Carmichael Packed Seven Heroes and Two Storylines into One Feature The Credits 06.10.22
Jason Bateman, Laura Linney and Showrunner Chris Mundy Unpack Ozark finale Los Angeles Times 06.08.22
SeveranceProduction designer Jeremy Hindle De-Constructs Dystopian Office Space The Credits 05.25.22
TV's New Sci Fi Reflects the Age of Anxiety Los Angeles Times 05.18.22
Under the Radar: Murderville and We Are Lady Parts Put Fresh Comedy Spins on Detectives and Rockers Los Angeles Times 05.18.22
Dubbing Tool Voice Q Spurs Foreign Language Entertainment Boom The Credits 05.13.22
Winning Time Showrunner Captures Basketball's Wild and Crazy Ride The Credits 05.09.22
Morbius production designer Stefania Cella Creates a Brooding Vibe The Credits 03.31.22
Professor Ted Braun Profiles Gustavo Dudamel in Viva Maestro! Doc USC News 03.30.22
Flee Director Talks Animated Doc Oscar Contender The Credits 03.24.22
Oscar Watch: Sound Mixer Paul Massey on Mastering Sonic Chaos in No Time to Die The Credits 03.24.22
After Yang DP Captured Thoughtful Mood for AI Family Drama The Credits 03.15.22
Turning Red Co-Writer Channeled Teenage Angst into Charming Pixar Movie The Credits 03.11.22
Oscar Watch: Summer of Soul director Questlove on Nina Simone and Sly Stone Los Angeles Times 03.03.22
Oscar Watch: Belfast Sound Designers Captured Civil War From Young Kenneth Branagh's Point of View Los Angeles Times 03.03.22
everything's gonna be all white Doc Maker Platforms Citizens of Color against Racism The Credits 02.17.22
Death on the Nile Costume Designer on Killer Cruise Wear The Credits 02.11.22
Travelogue Cinema: Charts and Graphs Illustrate Lust for Locations Los Angeles Times 01.24.22
Oscar Watch: Guillermo del Toro on Three Great Nightmare Alley scenes Los Angeles Times 01.24.22
Showrunner for Ray Donovan: The Movie Gets Inside Hero's Head One Last Time The Credits 01.20.22
How Researchers at USC's School of Cinematic Arts Push Limits USC News 01.22.22
Oscar Watch: Ghost World: Spirits Converge on Spencer, Respect and Last Night in Soho Los Angeles Times 01.18.22
Oscar Watch: Richard Jenkins, Interesting Enough" for Nightmare Alley and The Humans Los Angeles Times 01.18.22
Oscar Watch: Production Designer Embraced Dune's Desolate Vision Los Angeles Times 01.13.22
Oscar Watch: Production Designer Stefan Dechant On Joel Coen's minimalist masterpiece The Tragedy of MacBeth The Credits 01.13.22
Spider-Man production designer on powering through the pandemic The Credits 01.03.22
