Hugh Hart Online

Father of the Bride Reboots Classic Comedy with Cuban-American Spin
The Credits 06.15.22

Zoe Chao Graduated from Art History to TV Hit Comedy
Brown University magazine May/June 2022

Succession Composer Nicholas Brittell on Dramatic Music
The Credits 06.15.22

Stranger Things Sound Team Give Voice to "Upside Down" Monsters
The Credits 06.20.22

How Jurassic World Dominion Co-Writer Emily Carmichael Packed Seven Heroes and Two Storylines into One Feature
The Credits 06.10.22

Deconstructing Ozark finale
Los Angeles Times 06.08.22

SeveranceProduction designer De-Constructs Dystopian Office Space
The Credits 05.25.22

TV's New Sci Fi Reflects the Age of Anxiety
Los Angeles Times 05.18.22

Under the Radar: Murderville and We Are Lady Parts Put Fresh Comedy Spins on Detectives and Rockers
Los Angeles Times 05.18.22

Dubbing Tool Voice Q Spurs Foreign Language Entertainment Boom
The Credits 05.13.22

Winning Time Showrunner Captures Basketball's Wild and Crazy Ride
The Credits 05.09.22

Morbius production designer Stefania Cella Creates a Brooding Vibe
The Credits 03.31.22

Professor Ted Braun Profiles Gustavo Dudamel in Viva Maestro! Doc
USC News 03.30.22

Flee Director Talks Animated Doc Oscar Contender
The Credits 03.24.22

Oscar Watch: Sound Mixer Paul Massey on Mastering Sonic Chaos in No Time to Die
The Credits 03.24.22

After Yang DP Captured Thoughtful Mood for AI Family Drama
The Credits 03.15.22

Turning Red Co-Writer Channeled Teenage Angst into Charming Pixar Movie
The Credits 03.11.22

Oscar Watch: Summer of Soul director Questlove on Nina Simone and Sly Stone
Los Angeles Times 03.03.22

Oscar Watch: Belfast Sound Designers Captured Civil War From Young Kenneth Branagh's Point of View
Los Angeles Times 03.03.22

everything's gonna be all white Doc Maker Platforms Citizens of Color against Racism
The Credits 02.17.22

Death on the Nile Costume Designer on Killer Cruise Wear
The Credits 02.11.22

Travelogue Cinema: Charts and Graphs Illustrate Lust for Locations
Los Angeles Times 01.24.22

Oscar Watch: Guillermo del Toro on Three Great Nightmare Alley scenes
Los Angeles Times 01.24.22

Showrunner for Ray Donovan: The Movie Gets Inside Hero's Head One Last Time
The Credits 01.20.22

How Researchers at USC's School of Cinematic Arts Push Limits
USC News 01.22.22

Oscar Watch: Ghost World: Spirits Converge on Spencer, Respect and Last Night in Soho
Los Angeles Times 01.18.22

Oscar Watch: Richard Jenkins, Interesting Enough" for Nightmare Alley and The Humans
Los Angeles Times 01.18.22

Oscar Watch: Production Designer Embraced Dune's Desolate Vision
Los Angeles Times 01.13.22

Oscar Watch: Production Designer Stefan Dechant On Joel Coen's minimalist masterpiece The Tragedy of MacBeth
The Credits 01.13.22

Spider-Man production designer on powering through the pandemic
The Credits 01.03.22